Wednesday, August 29, 2012

Night Gallery - 3x07 - You Can Come Up Now, Mrs. Millikan/Smile, Please

    An inventor with a long history of failures uses his absent-minded wife as a test subject for his efforts to bring people back from the dead.
    Nowhere near as campy as that Vincent Price episode from awhile back, but still pretty lighthearted.  Most of the story is taken up with performances that reach into silliness.  An investor berating the inventor for his non-working presentations, and the inventor's wife forgetting everything she hears.
    The ending is obvious as soon as we hear that she's dying.  Because of the obviousness of this, I suppose it satisfies, by meeting our expectations.  But it's pretty dull.
    There's a second story, called Smile, Please, which has a photographer being brought to a vampire's tomb to take a picture.  I think the script for this could fit on a page, probably half a page.  Not even a good joke.

Tuesday, August 28, 2012

The Simpsons - 23x17 - Them, Robot

    Homer is the only human employee (besides Mr. Burns) remaining, after the entire staff of the power plant is replaced with robot workers.
    It's an enjoyable episode, but it doesn't feel like it has much of a structure.  Mostly just a collection of robot gags, without too much plot development happening.  Not that I expect heavy plot from The Simpsons at this point.
    It's a pleasure to hear Brent Spiner voicing the robots.
    There was a lot of wasted opportunity.  The replacement of workers with robots has ample room for all sorts of jokes about outsourcing.  Instead, a surprising amount of the episode is devoted to sight gags.  That isn't to say that they're bad sight gags.  I liked seeing all of the robots sacrificing themselves in the road for Homer's stupidity.

My Little Pony: Friendship is Magic - 1x07 - Dragonshy

    There's a long trail of smoke from a mountain, working over parts of Ponyville.  Twilight Sparkle has found that the problem is that a dragon is sleeping in a cave on the mountain, and the snoring produces a lot of smoke.  The ponies are charged with the task to talk to the dragon, and persuade him to sleep elsewhere.  While most of the team is up to the task, Fluttershy is too scare of dragons to make the trip comfortably.
    Fluttershy is so completely charming that it's hard to make an episode based around her bad.  This is an early episode, so it set up her character well.  After seeing later episodes dealing with her, this one seems a little out of place.  She actually seems too scared.  I think her reluctance to approach the dragon is fine, but her fear of climbing the mountain doesn't seem entirely right.  It's a bit of a device to give the episode some tension for the first half.
    The big highlight is seeing Pinkie's bizarre outfit.
    Fluttershy gets to take charge at a certain point, and it's cathartic to see.  She plays it as an assertive, motherly figure.  As a result, it sounds a little too on-the-nose for my tastes, a little too prepared.  But it still feels good.

Star Trek: The Next Generation - 4x06 - Legacy

    Some Federation workers have crashed in an escape pod on a planet that has  been stuck in a gang war for years.  The Enterprise tries to free their captives, with the help of one of the sides, and their representative, Tasha Yar's sister.
    This episode is a disappointment.  And it's a puzzlement, since the story is entirely decent.  There's a reasonable emotional arc, bringing in a character to stir up the crew's feelings about Tasha.  The problem seems to be that the writing is hammy.  There are too many moments that feel campy.  There are reaction shots of Worf that seem like they may have been going for a laugh but the material didn't warrant that.
    I remember liking Tasha Yar when I was a kid, watching the show for the first time.  The age of the series means that I would have been 8 or 9.  Now, when I watch her episodes, it looks like the writers never got a handle on what to do with her character.  That awkwardness makes these episodes, that ascribe deep emotions to Tasha's death, feel like they aren't using the event correctly.

Saturday, August 25, 2012

The Simpsons - 23x13 - The Daughter Also Rises

    Lisa has a romance with a Hemingway-esque boy.  Bart and Milhouse imitate Mythcrackers with a bunch of school legends.
    I think the weakness of this episode is in requiring viewers to be more familiar with Hemingway.  An ideal reference is a solid joke without understanding the reference, but knowledge moves the joke into a new level.
    The B story is a little more engaging, but not as much.  While I like the idea of Mythbusters, I've never felt very compelled by it.  I like the idea of showing people the truth, but the showmanship of the show seems to distract the audience from being educated as much…
    There were still some things that I liked.  The gag with Professor Frink.  The montage of Bart and Homer having fun.  And the completely bizarre thing with Sherri and Terri and Marge.  And I love the gag that the episode ends on - Homer on the fan boat going down.

Futurama - 7x11 - Viva Mars Vegas

    After Zoidberg gets mixed up with the robot Mafia, the whole crew winds up losing Amy's parent's casino on Mars.  An elaborate casino heist is in order to save the day.
    After recently rewatching The Simpsons episode The Book Job, it made me think that it's hard to make a bad casino - or heist - episode.  And it's still true, this episode isn't bad at all.  But it still seems like they just didn't nail it.  I guess part of my problem might be that I don't care for the robot Mafia much.
    I enjoyed the focus on Zoidberg.  I don't care too much about the Wong family.
    Like much of this season, the episode is good, but lacks the spark that drives it into greatness.

Wednesday, August 22, 2012

The Simpsons - 23x16 - How I Wet Your Mother

    After Homer does a few jerky things, he starts wetting the bed.  In order to find the root of his problem, the family uses Professor Frink's device from Inception in order to enter Homer's subconscious.
    I like the episode - a lot.  But there's something that feels strange about it.  It's probably that the bedwetting angle is so peculiar.  There's a mildly disturbing sequence of Homer trying to seduce Marge while wearing an adult diaper.  (Somehow, I'm reminded of another line Homer said while seducing her - "I love it when you're not into it!")
    But once the Inception part starts up, things move really quickly.  The overall story changes tones from the wacky first act, to a fairly emotional last act.  I've never felt particularly invested in stories about Homer and his mother, but this one worked out well.  Homer feeling personally responsible for his parents splitting up is an unusually deep feeling for Homer, considering how little he cares about most other people.
    The designs are mostly very fun.

Tuesday, August 21, 2012

The Simpsons - 23x10 - Politically Inept, with Homer Simpson

    After Homer's meltdown on an airplane goes viral, he gets to appear on a political talk show.  He takes charge of the conversation, and is offered his own show.  His influence grows.
    I like this episode, but I don't feel like it reached its potential.  Since most of the episode focuses on Homer channeling Glenn Beck, and since Beck has been off the air for awhile now, the approach seems strangely dated.  The message of the episode is good - Homer needs to understand that politics, and these pundit characters, do have a real influence in the world, and that they need to be responsible.
    Strangely, this message is not applied to Ted Nugent, the guest star.  The show is remarkably passive to how irresponsible Nugent is politically.
    I wonder if the show will age well.  Homer's gravy boat fad is the sort of thing that might show up now and then, as political fads come and go.
    You know what would make a good Simpsons episode - Homer gets suckered into being a Sovereign Citizen.

Sunday, August 19, 2012

Night Gallery - 3x01 - The Return of the Sorcerer

    A sorcerer hires a translator to work on a passage.  While staying with them, the translator gets to experience the strangeness of a house run with satanic magic in mind.
    For such a minimal plot, the episode is pretty good.  Vincent Price stars, and the sets are pretty campy.  There's some great dialogue from the female lead, who gets some very hippie lines.  The whole episode seems to be more of a joke.  Especially since the black mass ritual involves chanting, including the word "abracadabra."
    Fun stuff, but I'm not sure how worth a second viewing it is.

Night Gallery - 3x02 - The Girl with the Hungry Eyes

    A model arrives at a photographer's studio, and gets some pictures done.  She becomes the model for a variety of products and campaigns, because of something about her eyes.  The photographer feels odd, because his success is riding on her, and she is very mysterious.  Plus, he suspects her of being a killer.
    I haven't watched much beyond the first season of Night Gallery.  I like the show, but I didn't like the length of each episode.  45 minute episodes aren't right for Serling's type of work.  When the episodes are about 23 minutes, there's an effort to push the show forward.  So, while the 3rd season isn't as popular with the purists, It seems like a good idea to me.
    And the episode is fairly fun.  It's a little predictable.  But it's good.  The model isn't quite compelling enough to believe that she's hypnotizing so many people, especially when the rest of her body isn't too noteworthy.
    The ending is a little silly, but it fits right into the story, and seems like the right way to do it.

Friday, August 17, 2012

Futurama - 7x10 - Near-Death Wish

    Fry is annoyed at how distant the Professor is to him, so he decides to look into the Professor's parents, who are kept alive in the Near-Death Star.  Fry becomes fairly close with them, but the Professor is very angry with his parents.
    The AV Club gave this one a pretty positive review, and I think an A- grade.  I don't know if I agree with that, but it is a good episode.  While it isn't packed with laughs, it has a stronger emotional component than many of the other episodes have.  And, to make it more interesting, it's a relationship that hasn't been explored.  I don't think there are many episodes that focus on the Professor, and his relationships, but this one does, and it's unusual, and still pretty good.
    The highlight - just as the AV Club said - is the talk about The Matrix.  I have a lot of contempt for the movie, and the pseudo-philosophical approach it takes to the world. 

Thursday, August 16, 2012

Star Trek: The Next Generation - 4x05 - Remember Me

    After stopping by a starbase, and picking up a friend of hers, Beverly Crusher starts getting worried, since her guest disappears, and no one else remembers him existing.  Plus, no records exist of him.  Gradually, more and more people on the Enterprise disappear.  The problem seems to be a warp bubble that Wesley was responsible for.
    This is a fun concept for an episode.  It's very Twilight Zone, and I like when TNG inserts that amount of creepiness into their stories.  But in execution, the episode leaves a bit to be desired.
    It's nice to see a Crusher-centric episode.  She doesn't get many.  I don't even care for her, but it's fun to see things switched up a little.  Where the episode goes wrong is in the scripting.  The episode feels way too padded out.  When I reached the halfway point, I felt like there should only be a few more minutes left.  Then when it reached the last 10 minutes, it felt like all of those should have taken about a minute to tie together.
    The last scene has Crusher talking to herself, walking through her understanding of the situation.  The audience already knows what she's supposed to figure out.
    I think the episode would be much more interesting if it were redone.  The script needs to be polished up, and it might be better if they didn't worry about a target running time.

Wednesday, August 15, 2012

The Simpsons - 23x07 - The Man in the Blue Flannel Pants

    Homer becomes the account executive for Mr. Burns.
    This is a strange episode, and I don't care for it, but I have doubts about how likely it is that I understand the humor of the episode.  Much of it seems to be built of references to Mad Men, and that isn't something I understand.
    There are chunks of it that I like.  I enjoy the opening with the product party for Absolut Krusty.  Burns singing karaoke is great.  And it's fun to see the bullies being read Little Women, even if this is a conspicuous reference to unusual characters being touched by the book - a long time ago, Moe is revealed to be reading the book to the homeless at a shelter.
    I feel mildly lost while I watch the episode.

My Little Pony: Friendship is Magic - 1x26 - The Best Night Ever

    The Grand Galloping Gala has finally arrived, and all the ponies are excited to achieve some of their dreams.  Rainbow Dash wants to charm the Wonderbolts, and become one of them.  Applejack wants to sell a bunch of apple treats, helping her family.  Twilight Sparkle wants to spend time with Princess Celestia.  Pinkie Pie wants to have the best party possible.  Rarity wants to find a Prince Charming, and become part of the upper crust.  And Fluttershy wants to meet and befriend all of the unique animals in the garden.
    There's a lot of music in this episode, and I wasn't quite as thrilled the first time through, but now that I'm more familiar with the songs, they are very nicely handled.  There's a lot of clever animation in the episode as well.
    It turns out that none of them are really able to achieve their dreams.  Everyone has an initial good sign, followed by the realities of their situation.  The result is that everyone either embarrasses themselves, or they have a miserable time.  So the ponies all leave, and meet at a donut shop.  Eventually, they're joined by Princess Celestia, who thanks them for making that Gala an interesting one.
    I do have a problem with this episode, and it's the last scene.  The ideas in the scene are good, what I don't like is the writing.  There are several group laughs, and something about this isn't natural.  It sounds like too much of a….kids show.

Star Trek: The Next Generation - 4x08 - Future Imperfect

    On an away mission, Riker passes out.  When he wakes up, he finds it's sixteen years later.  He's now captain of the Enterprise.  A lot of promotions surround him.  Picard is an Admiral.  Riker has a son.  His lack of memory of the past is explained as a side effect of a virus he picked up during the away mission.  The rest of the episode would probably qualify as a spoiler.
    I like this episode - I like episodes that have alternate visions of the crew we know.  And I like how the first deception is uncovered.  The second deception isn't as satisfying.
    What stood out for me this time through was that the writing wasn't as good as I would like.  It seems a little overly dramatic.  Riker has a way of delivering lines in an aggressive, sarcastically disbelieving way, and there's so much of that.  The Romulan characters are also pretty hammy.  Also, the cheapness of some of the sets during the second story stood out.
    Still, it's a fun episode.  There aren't too many Riker-centric episodes, and the premise is a lot of fun, even if the execution held it back a little.

My Little Pony: Friendship is Magic - 2x17 - Hearts and Hooves Day

    The three younger ponies, Apple Bloom, Scootaloo and Sweetie Belle, decide to find a match for their unattached teacher, Cheerilee.  After looking around, they decide to set her up with Big MacIntosh.  When their initial meeting is awkward, the girls decide to use a love potion.  It works, but it keeps them absurdly focused on each other.  In order the break the spell, the girls work to keep the pair apart for an hour.
    This is a fun episode, even though it barely has any of the primary characters in it.  I think the only one that appears is Twilight Sparkle.  I don't care too much for the younger ponies, but the fun of a love potion plot is enough to make up for it.  There's a good song, which uses a lot of very fun animation and designs.  When Big Mac is talking cutsy, he wrinkles his nose a bit.  It's an excellent touch.
    This episode also builds Cheerilee a little more than she had been.  I mostly like that she rolls her eyes a little when she tells the kids that she doesn't have anyone special in her life.

Sunday, August 12, 2012

Star Trek: The Next Generation - 4x04 -Suddenly Human

    The Enterprise picks up a few alien teens who are injured in some training.  Among the survivors is a human boy, who identifies as one of the aliens.  After a bit of research, it's discovered that the aliens had taken him, as a baby, during a war.  This leads to some conflicts about the boy's identity, along with some questions of who should be caring for the boy.
    With a title like this, I really thought this would be a Data-centric episode.  Instead, it's actually a pretty dull affair.  Most of the episode mines material from making Picard uncomfortable with being a father figure to the boy.  What's worse… is that the episode has an angle that goes unused.  Worf was in the same situation.  He was a child survivor of a battle that left his family dead.  It turns out much later that he has a living relative that he thought was dead.  This remains unmentioned throughout the episode (to make sure, this background had been established for Worf prior to this episode.  This isn't material that was later written.)
    The other big problem with this episode is that the ending isn't satisfying.

Star Trek: The Next Generation - 4x03 - Brothers

    Just as the Enterprise is trying to rush to a star base for some medical needs, Data flips out, and takes control of the Enterprise.  He's been called home, to visit his creator.  Of course, Lore has also been called home.
    This episode was a mild disappointment.  The first half of it is fun.  Data outsmarting the crew, and Picard's frustration with his lack of control.  Then once Data reaches his destination, the story just slows down to a crawl.  A lot of this information is interesting, but it plays out so slowly that it isn't satisfying.
    Brent Spiner gets to play Data, Lore, and Dr. Soong.  I enjoy seeing both Data and Lore interact, since Spiner seems to get how to play him right.  Dr. Soong isn't as enjoyable.  I'm not sure exactly what it is, but I think Spiner never got the full character developed in his head.

Wednesday, August 8, 2012

The Simpsons - 23x06 - The Book Job

    Lisa discovers that young-adult fiction is written by committee, and the books are driven by market research and ghostwritten by teams.  After she tells Homer about this, he decides that it's a good idea to try doing this.  He recruits Bart, and they assemble a team to come up with a book, write it, and sell it.
    This is probably one of my favorite episodes of the past  five seasons or so.  It's handled in the style of the Oceans movies, which have such a satisfying structure that it would be hard to dislike it.  Everything moves fast, and it feels great.  When Homer recruits Bart, the back-and-forth between them is just brilliant.
    The story is reasonably complex, and there's just enough double-crossing going on to make things interesting.  But none of it sounds like they just needed a quick way out.
    While I was watching this, I mentioned how great it is when they adopt a format from another movie or show.  I brought up the episode 24 Minutes, which I still find wildly fun (even though I've never watched an episode of 24.  Go figure.)  Cathy pointed out the episode Behind the Laughter, which I hadn't considered.

Monday, August 6, 2012

The Simpsons - 6x21 - The PTA Disbands

    Springfield Elementary is running out of money, leading to escalating conflicts between Principal Skinner and the teachers.  When the teachers go on strike, Bart takes the opportunity to play pranks all over, Lisa gets focused on achieving the satisfaction that schooling brings, and eventually, Bart needs to bring an end to the strike in order to prevent Marge from being his teacher.
    Yep, that's not a great summary.  The episode is a bit scattershot, but it's still very enjoyable.  The things I don't like are very brief things - like the time lapse of Skinner and Krabapple arguing and pounding on the door.
    But there are great things, like the foreman with Bart's voice.  The brief, unnecessary gags, like the bullies playing games in the arcade.  Cathy's a big fan of Lisa's storyline, especially when Lisa comes up to Marge, begging to be graded.

Star Trek: The Next Generation - 4x02 - Family

    A collection of short stories involving the crew and their relationships with family members.  Worf's human parents visit the Enterprise.  Picard visits his brother on the family vineyard in France.  Crusher gets a chest of keepsakes from her deceased husband, with a recording to pass on to Wesley.
    There's a lot of humor to the episode, but it balances out with some fairly emotional bits.  The Worf storyline is mostly played for laughs.  It does have a nice scene where Worf realizes that human parents support their children through adversity.
    Wesley's story is the weakest.  I've never cared much about his father's death, since the issue is never explored too fully.  Plus, it's hard to care much about what happens with Wesley.
    Picard's story is the A-plot here.  Picard's brother, Robert, is a firmly conservative anti-technology stalwart.  He blames technology for replacing too many things, and harming the value in hard work.  While synthetic wine is available, he feels it doesn't compare to wine he works to make.  He dislikes replicators.
    It's clear that Picard has a balanced view of these things, especially since Robert is written in such a two-dimensional way.  But Robert's antagonism of Picard is useful.  When they eventually start fighting, that gives away to laughing, then to Picard confronting his fears about his experience with the Borg.  It turns out that Picard feels personally responsible for the information the Borg were able to gather from his brain, and how many lives that cost.  We rarely see Picard allowing himself to feel bad about his decisions, since he typically takes the path that preserves life.  Here, the loss of life was too large, and he feels like he could have made a better decision, or he could have been stronger.
    It's a great episode, although Wesley's story is kind of weak, and Worf could have used some tweaking.  But for an episode that was written by Ronald D. Moore, it's up to his usual levels of quality.

The Simpsons - 11x21 - It's a Mad, Mad, Mad, Mad Marge

    Otto is about to get married, when the wedding is called off.  The fiancee, Becky, lives with the Simpsons while she gets her life back together.  While Becky gets more popular with the family, Marge is worried that Becky will replace her.  This leads to a third act where Marge is declared insane.
    I like this episode.  There are some good deliveries, some good gags are strange enough to be memorable (like Moe getting shrimp stuffed into his open mouth).  For some reason, the episode has a poor reception.  I'm not sure why, especially since the 11th season has a few other episodes that are noteworthy for being horrible - Kill the Alligator and Run, Saddlestore Galactica, or Take My Wife, Sleaze.  This isn't a spectacular episode, but it's still pretty good.

Friday, August 3, 2012

Futurama - 7x08 - Fun on a Bun

    After attending Oktoberfest, Fry winds up stranded in an underground neanderthal world, while Leela blames herself for Fry's presumed death.  Bender works on trying to win a sausage contest.
    The AV Club gave this a kind of middling review, and while I can say that it didn't reach the peak of the best of Futurama, it's a pretty decent episode.  There wasn't anything in it that stood out as being spectacular, like the previous episode's Hermes/Zoidberg ventriloquist act.  But the episode felt uniformly funny.
    I did enjoy how dark the episode seemed to get, when it looked like Fry was falling into the sausage grinder.  And the idea of Leela eating Fry's remains.
    The episodes have fallen into a pattern of trying to provide an emotionally resounding ending by having Fry and Leela kiss.  The payoff just isn't there.  None of them have the heart-wrenching feeling of when Leela says "Please don't stop playing, Fry.  I wanna hear how it ends." during The Devil's Hands Are Idle Playthings.